The Archipelago series invokes the landscape of island-forms. The series returns Chua to the ink tradition of landscape painting, but Chua’s intentions are to cast the subject matter as symbolically localised landscapes to accommodate social and historical journeys of inter-regional migratory seafarers. Physical dimensions of original: 960 x 1420 mm.
Song of Cicada is Chua’s most complex work on the use of symbolic space. The patches of ink represent drifting leaves in an expanse of empty space which serves as a space of imagination where the viewer is invited to imagine and envision experience from within the painting. Physical dimensions of...
Winter Landscape is an early work of Yeo’s prefiguring important aspects of his later oeuvre: colour and abstraction. The image also encapsulates landscape, which became an important aspect of Yeo’s later work, reflecting his fascination with travel and places. Physical dimensions of original: 1260 x 1000 mm....
Inverted Y is representative of Poon’s early practice during the period of training in the United Kingdom and the early 1970s when he first returned to Singapore. The use of shaped canvases on which Poon explores the relations between shades of the same colour and geometric forms through balance and...
This photograph shows a woman walking along the Singapore River. Across the river is The Riverwalk, formerly known as Riverwalk Galleria. Physical dimensions of original: 35 mm. Title devised by Library staff....
An acrylic painting on canvas, Aqueous Waves represents the transition in Poon’s work from a visual vocabulary made up of purely geometric forms to one of curved lines – subsequently referred to as “waves”. The emphasis on both chromatic harmony and the savant distribution of shapes and forms is distinctive...
A Junction on Rochor Road is made after Chua’s return from post-graduate studies in Australia. Here, with the use of the technique of expressive ink and calligraphic strokes, Chua distorts the subject such that the image is at threat of dissolving into fragmentary chaos of patchy stains. The painting balances...
The Reflections series emerged from the Lotus Pond series. While the latter presents the composites of plant life from the pond’s surface, the concept of the Reflections series delves more holistically on surface and submerged phenomena, thus conceptually strengthening the symbolic references to the macro-cosmic order of Taoist philosophy. Physical dimensions...
The Head of Ah Beng is part of a series of ‘portraits’ dealing with social and cultural aspects of society. These are abstracted images of real and imaginary people. Ah Beng represents the artist’s interpretation of a Singaporean character that projects his identity through dress and behaviour – preoccupation with...
This is a photograph of the Coleman Bridge along the Singapore River. On the right is The Riverwalk, formerly known as Riverwalk Galleria. Physical dimensions of original: 35 mm. Title devised by Library staff....
This photograph shows two workers wearing industrial safety helmets, at a construction site. One of them is painting the exterior wall of a structure, using a paint roller that is attached to an extension pole, to give it the best finish. Next to them is a bucket of paint. Physical...