An acrylic painting on canvas, Aqueous Waves represents the transition in Poon’s work from a visual vocabulary made up of purely geometric forms to one of curved lines – subsequently referred to as “waves”. The emphasis on both chromatic harmony and the savant distribution of shapes and forms is distinctive of Poon’s art. Physical dimensions of original: 1820 x 1820 mm.
Inverted Y is representative of Poon’s early practice during the period of training in the United Kingdom and the early 1970s when he first returned to Singapore. The use of shaped canvases on which Poon explores the relations between shades of the same colour and geometric forms through balance and...
In this work, Wee relies on the deliberate placement of lines and coloured areas to attain a range of responses from viewers. Areas of colours are delineated on the picture surface with sharpness and clarity. His paint application is non-gestural and impersonal. The work demonstrates Wee’s preference for hard-edge painting...
Song of Cicada is Chua’s most complex work on the use of symbolic space. The patches of ink represent drifting leaves in an expanse of empty space which serves as a space of imagination where the viewer is invited to imagine and envision experience from within the painting. Physical dimensions of...
Performance is one of Poon’s earlier attempts at the integration of planes in a three-dimensional space. It is representative of the other type of structure which makes up the linguistic rationale of Poon’s three-dimensional work – apart from the sculptures which resemble the movement of ribbons caught in time and...
Surprised II is representative of Ng’s fascination with the flesh which borders on the obsessive. This aspect of Ng’s oeuvre is nevertheless not to be ignored as it contributes to the full spectrum of Ng’s relationship with the human figure as expressed in his art. This work (stoneware, slip, ciment...
One of several paintings Chen did of the Singapore River, this work shows bumboats against a backdrop of shophouses. The painting shows Chen’s analytical skill and objective handling of different surfaces with different brushstrokes - employing broken lines for waves, light, sensuous, pointillist touch of the brush to reveal the...
This work demonstrates Wee’s versatility in working across a number of art media and styles. The Great Sphinx of Giza is depicted in a cubist idiom. Three figures represented in the foreground accentuate the scale of the Sphinx. Using muted tones of brown, the work captures the distinct environment of...
A Junction on Rochor Road is made after Chua’s return from post-graduate studies in Australia. Here, with the use of the technique of expressive ink and calligraphic strokes, Chua distorts the subject such that the image is at threat of dissolving into fragmentary chaos of patchy stains. The painting balances...
This photograph shows a padlocked wooden window, typically found in godowns. Sunlight illuminates the closed shutters and the wall around it. The window is fitted with four hinges to prevent it from flapping when opening. Physical dimensions of original: 35 mm. Title devised by Library staff....