Inverted Y is representative of Poon’s early practice during the period of training in the United Kingdom and the early 1970s when he first returned to Singapore. The use of shaped canvases on which Poon explores the relations between shades of the same colour and geometric forms through balance and proportion is exemplified in this painting. Physical dimensions of original: 2140 x 2840 mm.
PR8-G6 on 6P Waves is a fine example of Poon’s relief wave-paintings with canvas stretched on a metal armature of curved contours. It is a development of his earlier two-dimensional wave-paintings. The combination of Poon’s preferred cool blue tones with shades of warm rose colour marks a venture into hitherto...
Performance is one of Poon’s earlier attempts at the integration of planes in a three-dimensional space. It is representative of the other type of structure which makes up the linguistic rationale of Poon’s three-dimensional work – apart from the sculptures which resemble the movement of ribbons caught in time and...
This wall relief is significant of Poon’s last phase before his passing on. It shows his interest in texture, as well as colour, on top of the interaction between planes and space through ribbon-like structures. Physical dimensions of original: 4920 x 1120 x 280mm....
Chen was well-traveled and often painted the people she met and places she visited. Around 1960-61, Chen went on a painting trip to the east coast of Malaysia. East Coast Vendor depicts a Malaysian rambutan seller with two children, dressed in colourful local costume. Bathed in strong tropical sunlight, the...
This photograph shows a Dragon Boat race at the Singapore River. In each long and narrow, dragon-shaped boat is a drummer who sets the rhythm for the paddlers by beating a drum and a coxswain who steers the boat with a rudder. In the background are financial buildings and shophouses...
Portrait painting is another genre Chen was noted for. This self-portrait is a close-up, full-sized and hauntlngly-real likeness of herself. It shows a sense of cool detachment achieved through minimal lines which delineate the contours of the face and hair, meagre use of colours to differentiate shades of facial complexion ...
The Archipelago series invokes the landscape of island-forms. The series returns Chua to the ink tradition of landscape painting, but Chua’s intentions are to cast the subject matter as symbolically localised landscapes to accommodate social and historical journeys of inter-regional migratory seafarers. Physical dimensions of original: 960 x 1420 mm....
This photograph shows a woman walking along the Singapore River. Across the river is The Riverwalk, formerly known as Riverwalk Galleria. Physical dimensions of original: 35 mm. Title devised by Library staff....
This photograph shows two workers wearing industrial safety helmets, at a construction site. One of them is painting the exterior wall of a structure, using a paint roller that is attached to an extension pole, to give it the best finish. Next to them is a bucket of paint. Physical...
Winter Landscape is an early work of Yeo’s prefiguring important aspects of his later oeuvre: colour and abstraction. The image also encapsulates landscape, which became an important aspect of Yeo’s later work, reflecting his fascination with travel and places. Physical dimensions of original: 1260 x 1000 mm....