This is a photograph of a wall relief by Anthony Poon. It is significant of Poon’s last phase before his passing on. It shows his interest in texture, as well as colour, on top of the interaction between planes and space through ribbon-like structures. Physical dimensions of original: 4920 x 1120 x 280mm. Title devised by Library staff.
PR8-G6 on 6P Waves is a fine example of Poon’s relief wave-paintings with canvas stretched on a metal armature of curved contours. It is a development of his earlier two-dimensional wave-paintings. The combination of Poon’s preferred cool blue tones with shades of warm rose colour marks a venture into hitherto...
Inverted Y is representative of Poon’s early practice during the period of training in the United Kingdom and the early 1970s when he first returned to Singapore. The use of shaped canvases on which Poon explores the relations between shades of the same colour and geometric forms through balance and...
This is an excellent example of the earlier works of Georgette Chen characterised by heavy brush strokes and texture. It reveals some influence by the 19th century French artist, Paul Cezanne. She combines the use of dynamic brush strokes with dark, heavy tones to suggest volume and texture. The fruits...
An acrylic painting on canvas, Aqueous Waves represents the transition in Poon’s work from a visual vocabulary made up of purely geometric forms to one of curved lines – subsequently referred to as “waves”. The emphasis on both chromatic harmony and the savant distribution of shapes and forms is distinctive...
Song of Cicada is Chua’s most complex work on the use of symbolic space. The patches of ink represent drifting leaves in an expanse of empty space which serves as a space of imagination where the viewer is invited to imagine and envision experience from within the painting. Physical dimensions of...
This photograph shows two workers wearing industrial safety helmets, at a construction site. One of them is painting the exterior wall of a structure, using a paint roller that is attached to an extension pole, to give it the best finish. Next to them is a bucket of paint. Physical...
A Wall of History is a mature development of Chua’s Singapore Street Scenes series. Here, Chua clearly articulates his relationship with the series: the façade is now a symbol inscribed by and with history in bearing the residual stains of time and neglect. Physical dimensions of original: 1930 x 2520 mm....
This photograph shows a woman walking along the Singapore River. Across the river is The Riverwalk, formerly known as Riverwalk Galleria. Physical dimensions of original: 35 mm. Title devised by Library staff....
This photograph shows the OCBC Centre as seen from a park at the corner of Raffles Place and Chulia Street. The restful oasis in the foreground was built after a fire destroyed the building that once stood on this spot. Rays of sunlight casting shadows on the textured surface of...
Winter Landscape is an early work of Yeo’s prefiguring important aspects of his later oeuvre: colour and abstraction. The image also encapsulates landscape, which became an important aspect of Yeo’s later work, reflecting his fascination with travel and places. Physical dimensions of original: 1260 x 1000 mm....