In this work, Wee relies on the deliberate placement of lines and coloured areas to attain a range of responses from viewers. Areas of colours are delineated on the picture surface with sharpness and clarity. His paint application is non-gestural and impersonal. The work demonstrates Wee’s preference for hard-edge painting in his engagements with modernist abstraction. This work of oil on canvas is part of Singapore Art Museum Collection. Physical dimensions of original: 1830 x 1220 mm.
City Vista represents the development of collage and the exploration of the potential of materials Yeo found around him. He regards collage as a way of freeing himself from the tyranny of the brush. This painting presents the idea of an abstract land/cityscape, commenting on the architecture of his environment. This...
Completed during an art residency in Paris in 2000, the work demonstrates an impressionistic rendition of the famous River Seine in Paris, France. Hue and tonal contrast are handled competently using a limited colour palette. Lim captures the landmark cathedral Notre Dame de Paris in the background, a perennial subject...
The Head of Ah Beng is part of a series of ‘portraits’ dealing with social and cultural aspects of society. These are abstracted images of real and imaginary people. Ah Beng represents the artist’s interpretation of a Singaporean character that projects his identity through dress and behaviour – preoccupation with...
While as a student, Yeo picks up on a focus experimenting with different materials, including metal, textile and paints, and exploring the possibilities offered by the realm of colours. Beach Scene is an abstracted and expansive landscape that contrasts with the previous more formal example. It expresses the energy and...
Having begun to paint the street-level activities in the picture, Lim decided to leave the painting unfinished. In doing so, he draws an analogy between a shophouse with closed shutters and the larger context of urban re-development around the Chinatown and Singapore River areas in the 1970s and 1980s. This work...
Autumn warmth expresses Yeo’s lifelong fascination with nature, and more formal panoramic landscapes like this enable the artist to ‘escape’ from urban living. It takes him away from the confines of the city, enabling him to re-experience his travels. This work is part of the Singapore Art Museum Collection. Physical dimensions of...
The tree is a recurring subject matter in Lim’s oeuvre. His encounters with large trees took place mainly during his painting expeditions overseas. Rendered expressively through a variety of bold and vigorous brushstrokes, the work demonstrates Lim’s versatility in both western oil and Chinese ink media. This work with ink and...
The work depicts the practice of cormorant fishing taking place along the Li River in Guangxi, China. Showing fishermen framed by distinctive green hills seemingly rising to the sky, the painting exudes both dynamism and repose. It captures in its essence a scene where nature and human activities co-exist in...
Chng’s art and imagery often reflect her Asian roots. In the early 1980s, she became interested in the I-Ching (Book of Changes) – an ancient Chinese text that centers on the law of Yin and Yang, the idea of evolution of events and the acceptance of change – as a...
River bumboats are a long-standing subject in Lim’s paintings of the Singapore River, their presence filling each picture with symbolic and historical meanings. Impressionistically handled, Lim employs warm and vibrant colours such as red and green rendered in bold strokes, successfully creating a dynamic and joyous feel to the en...