Information About
City Vista represents the development of collage and the exploration of the potential of materials Yeo found around him. He regards collage as a way of freeing himself from the tyranny of the brush. This painting presents the idea of an abstract land/cityscape, commenting on the architecture of his environment. This work is part of the Singapore Art Museum Collection. Physical dimensions of original: 1220 x 1750 mm.
Additional Details
- Credit Line
- This digital copy (c) National Library Board Singapore 2008. The original work (c) Thomas Yeo 1985.
More to Explore
River Seine (France)
IMAGE
Completed during an art residency in Paris in 2000, the work demonstrates an impressionistic rendition of the famous River Seine in Paris, France. Hue and tonal contrast are handled competently using a limited colour palette. Lim captures the landmark cathedral Notre Dame de Paris in the background, a perennial subject...
Beach scene
IMAGE
While as a student, Yeo picks up on a focus experimenting with different materials, including metal, textile and paints, and exploring the possibilities offered by the realm of colours. Beach Scene is an abstracted and expansive landscape that contrasts with the previous more formal example. It expresses the energy and...
Pyramid
IMAGE
This work demonstrates Wee’s versatility in working across a number of art media and styles. The Great Sphinx of Giza is depicted in a cubist idiom. Three figures represented in the foreground accentuate the scale of the Sphinx. Using muted tones of brown, the work captures the distinct environment of...
Head of Ah Beng
IMAGE
The Head of Ah Beng is part of a series of ‘portraits’ dealing with social and cultural aspects of society. These are abstracted images of real and imaginary people. Ah Beng represents the artist’s interpretation of a Singaporean character that projects his identity through dress and behaviour – preoccupation with...
Junction : Circular Road and Canton Road
IMAGE
Having begun to paint the street-level activities in the picture, Lim decided to leave the painting unfinished. In doing so, he draws an analogy between a shophouse with closed shutters and the larger context of urban re-development around the Chinatown and Singapore River areas in the 1970s and 1980s. This work...
Fishing raft on Likiang River
IMAGE
The work depicts the practice of cormorant fishing taking place along the Li River in Guangxi, China. Showing fishermen framed by distinctive green hills seemingly rising to the sky, the painting exudes both dynamism and repose. It captures in its essence a scene where nature and human activities co-exist in...
Variations on I-Ching
IMAGE
Chng’s art and imagery often reflect her Asian roots. In the early 1980s, she became interested in the I-Ching (Book of Changes) – an ancient Chinese text that centers on the law of Yin and Yang, the idea of evolution of events and the acceptance of change – as a...
Painting 1979
IMAGE
In this work, Wee relies on the deliberate placement of lines and coloured areas to attain a range of responses from viewers. Areas of colours are delineated on the picture surface with sharpness and clarity. His paint application is non-gestural and impersonal. The work demonstrates Wee’s preference for hard-edge painting...
Banyan tree
IMAGE
The tree is a recurring subject matter in Lim’s oeuvre. His encounters with large trees took place mainly during his painting expeditions overseas. Rendered expressively through a variety of bold and vigorous brushstrokes, the work demonstrates Lim’s versatility in both western oil and Chinese ink media. This work with ink and...
Flowing
IMAGE
Water has been a source of inspiration to Chng – the River Thames while she studied in London, and the Humber River when she was in Hull. Encouraged by renowned printmaker M Lasansky, her professor at the University of Iowa, the Iowa River became Chng’s exclusive subject during her stay...