This photograph shows a piece of sculpture resembling a boat which pays tribute to the famous boat-making history of Trengganu and the unmistakable design of the bangau which are elaborately carved wooden boats. Trengganu is a body of work that is more sculptural than functional unlike bowls or plates. It belongs to the boat series that explores the historical, ceremonial and trade boats in Southeast Asia. Physical dimensions of original: Approx: 250 x 530 x 120 mm. Medium: Local clay, cobalt and barium glazes (fired at 1260 degrees Celsius). Title devised by Library staff.
This photograph shows a cluster of pieces of pottery resembling lotus pods. These were inspired by the shape of lotus pods found in lotus ponds of Southeast Asia and Iskandar Jalil's observations at a ceramics factory in Surabaya. Iskandar Jalil usually recorded his extensive travel experiences in visual diaries and...
Pot-Sculpture is an example of Ng’s constant capacity for humour in his work. Apart from its whimsicality, it reflects Ng’s fusion of the functional with beauty, as well as his training in ceramics and studio pottery. This work (stoneware, partly chun glazed)is part of the National University of Singapore Museum...
Performance is one of Poon’s earlier attempts at the integration of planes in a three-dimensional space. It is representative of the other type of structure which makes up the linguistic rationale of Poon’s three-dimensional work – apart from the sculptures which resemble the movement of ribbons caught in time and...
This is a picture of sculptures sculptured by Liu Jilin in 1999. It pays tribute to these labourers who helped build up Singapore in the early sixties. ...
This is a photograph of a tea pot made by Iskandar Jalil. It has the distinctive kendi-inspired spout and bears the trademark ‘Iskandar Blue’. The colour was inspired by Iskandar’s trip to Scandinavia where the visual and sensory resonance of the open sky is conveyed through a single colour. The...
An example of Ng’s earliest attempts at the three-dimensional, Singapore Girl shows him under the initial influence of classical European sculpture. Ng focuses here on the drapery and the contrapposto of the figure, prior to his subsequent stylised handling of the human figure. Physical dimensions of original: 370 x 160...
A Wall of History is a mature development of Chua’s Singapore Street Scenes series. Here, Chua clearly articulates his relationship with the series: the façade is now a symbol inscribed by and with history in bearing the residual stains of time and neglect. Physical dimensions of original: 1930 x 2520 mm....
Even as she contemplates the beauty of nature in her works, Chng is also an artist with a conscience, often reflecting on the issues of the day, decrying the destructive actions of man. Chng was moved to create this work after reading about the plight and tragedy of the “boat...
Sculpture Square in Middle Road is a contemporary art space established to advance three-dimensional art practices and productions principally by artists in Singapore and Southeast Asia. The building was originally the First Methodist Church established in the nineteenth century....
This is a photograph of a tile mural entitled "Mitravam" (Sanskrit for "friendship"). For this piece Iskandar Jalil used the symbol and metaphor of the lock and key to suggest that the Ministry of Foreign Affairs (MFA) through its diplomatic work has unlocked many doors for Singapore. He researched and...