This Pot-Sculpture is an example of Ng’s constant capacity for humour in his work. Apart from its whimsicality, it reflects Ng’s fusion of the functional with beauty, as well as his training in ceramics and studio pottery. This work (stoneware, partly chun glazed)is part of the National University of Singapore Museum Collection. Physical dimensions of original: 125 x 215 x 195 mm. Title devised by Library staff.
Life is Hard, using the medium of oil on board, is significant of Ng’s beginning as a painter under Georgette Chen’s guidance at NAFA. It provides insight into Ng’s aptitude as a painter, and is a pertinent example of his constant interest in the human figure, as well as the...
Semi-representational, the work shows two figures locked in embrace in an upright position. Wee has produced numerous works expressing emotional and psychological conditions through abstract compositions. In this particular work, the figures are fused and suspended in an amorphous context, drawing greater attention to the materiality of their emotional state...
River bumboats are a long-standing subject in Lim’s paintings of the Singapore River, their presence filling each picture with symbolic and historical meanings. Impressionistically handled, Lim employs warm and vibrant colours such as red and green rendered in bold strokes, successfully creating a dynamic and joyous feel to the en...
While as a student, Yeo picks up on a focus experimenting with different materials, including metal, textile and paints, and exploring the possibilities offered by the realm of colours. Beach Scene is an abstracted and expansive landscape that contrasts with the previous more formal example. It expresses the energy and...
The tree is a recurring subject matter in Lim’s oeuvre. His encounters with large trees took place mainly during his painting expeditions overseas. Rendered expressively through a variety of bold and vigorous brushstrokes, the work demonstrates Lim’s versatility in both western oil and Chinese ink media. This work with ink and...
Autumn warmth expresses Yeo’s lifelong fascination with nature, and more formal panoramic landscapes like this enable the artist to ‘escape’ from urban living. It takes him away from the confines of the city, enabling him to re-experience his travels. This work is part of the Singapore Art Museum Collection. Physical dimensions of...
Chng’s art and imagery often reflect her Asian roots. In the early 1980s, she became interested in the I-Ching (Book of Changes) – an ancient Chinese text that centers on the law of Yin and Yang, the idea of evolution of events and the acceptance of change – as a...
City Vista represents the development of collage and the exploration of the potential of materials Yeo found around him. He regards collage as a way of freeing himself from the tyranny of the brush. This painting presents the idea of an abstract land/cityscape, commenting on the architecture of his environment. This...
A free-standing sculpture, Hunger reflects Wee’s interest in depicting physical and psychological states of being through the vocabulary of modern sculpture. The skeletal structure of the figure is revealed evidently and effectively through Wee’s emphasis on creating visual depth on its surface. The work evokes pathos by showing the physical...
This work demonstrates Wee’s versatility in working across a number of art media and styles. The Great Sphinx of Giza is depicted in a cubist idiom. Three figures represented in the foreground accentuate the scale of the Sphinx. Using muted tones of brown, the work captures the distinct environment of...