This is a photograph of a tile mural entitled "Mitravam" (Sanskrit for "friendship"). For this piece, Iskandar Jalil used the symbol and metaphor of the lock and key to suggest that the Ministry of Foreign Affairs (MFA) through its diplomatic work, has unlocked many doors for Singapore. He researched and cast moulds of locking systems from antiquated latch systems to digital ‘swipe card’ systems which feature in the central panel of the mural. Physical dimensions of original: 1785 x 4200 x 40 mm. Medium: Clay. Title devised by Library staff.
This is a photograph of five unglazed bowls made by Iskandar Jalil who has frequently expounded on the deceptive simplicity of the cawan (bowl), which he has described as "the most challenging of forms", for the way it reveals the strength (or weakness) of a master-potter. This cluster of cawan...
This is a photograph of a tea pot made by Iskandar Jalil. It has the distinctive kendi-inspired spout and bears the trademark ‘Iskandar Blue’. The colour was inspired by Iskandar’s trip to Scandinavia where the visual and sensory resonance of the open sky is conveyed through a single colour. The...
Song of Cicada is Chua’s most complex work on the use of symbolic space. The patches of ink represent drifting leaves in an expanse of empty space which serves as a space of imagination where the viewer is invited to imagine and envision experience from within the painting. Physical dimensions of...
View of the mural of a man and woman painted on the back wall of the building....
This photograph shows a woman walking along the Singapore River. Across the river is The Riverwalk, formerly known as Riverwalk Galleria. Physical dimensions of original: 35 mm. Title devised by Library staff....
This photograph shows a piece of sculpture resembling a boat which pays tribute to the famous boat-making history of Trengganu and the unmistakable design of the bangau which are elaborately carved wooden boats. Trengganu is a body of work that is more sculptural than functional unlike bowls or plates. It...
The Archipelago series invokes the landscape of island-forms. The series returns Chua to the ink tradition of landscape painting, but Chua’s intentions are to cast the subject matter as symbolically localised landscapes to accommodate social and historical journeys of inter-regional migratory seafarers. Physical dimensions of original: 960 x 1420 mm....
A Wall of History is a mature development of Chua’s Singapore Street Scenes series. Here, Chua clearly articulates his relationship with the series: the façade is now a symbol inscribed by and with history in bearing the residual stains of time and neglect. Physical dimensions of original: 1930 x 2520 mm....
This is a photograph of the Coleman Bridge along the Singapore River. On the right is The Riverwalk, formerly known as Riverwalk Galleria. Physical dimensions of original: 35 mm. Title devised by Library staff....
This photograph shows a padlocked wooden window, typically found in godowns. Sunlight illuminates the closed shutters and the wall around it. The window is fitted with four hinges to prevent it from flapping when opening. Physical dimensions of original: 35 mm. Title devised by Library staff....