This painting of paper lanterns and festive goodies of the Moon Festival belies the conscious and careful efforts Chen put into her choice of objects, their composition and colour scheme. The work is a formal and yet unpretentious arrangement of festive goods, in reds and greens, against a simple, pale yellow background. It evokes a quality of lightness and the pleasure enjoyed by common folks in everyday things. Physical dimensions of original: 730 x 600 mm.
A close-up of the various colourful lanterns in the shape of birds, animals or objects which children carry during the Moon Festival....
PR8-G6 on 6P Waves is a fine example of Poon’s relief wave-paintings with canvas stretched on a metal armature of curved contours. It is a development of his earlier two-dimensional wave-paintings. The combination of Poon’s preferred cool blue tones with shades of warm rose colour marks a venture into hitherto...
Chen was well-traveled and often painted the people she met and places she visited. Around 1960-61, Chen went on a painting trip to the east coast of Malaysia. East Coast Vendor depicts a Malaysian rambutan seller with two children, dressed in colourful local costume. Bathed in strong tropical sunlight, the...
One of several paintings Chen did of the Singapore River, this work shows bumboats against a backdrop of shophouses. The painting shows Chen’s analytical skill and objective handling of different surfaces with different brushstrokes - employing broken lines for waves, light, sensuous, pointillist touch of the brush to reveal the...
Even as she contemplates the beauty of nature in her works, Chng is also an artist with a conscience, often reflecting on the issues of the day, decrying the destructive actions of man. Chng was moved to create this work after reading about the plight and tragedy of the “boat...
An acrylic painting on canvas, Aqueous Waves represents the transition in Poon’s work from a visual vocabulary made up of purely geometric forms to one of curved lines – subsequently referred to as “waves”. The emphasis on both chromatic harmony and the savant distribution of shapes and forms is distinctive...
Having begun to paint the street-level activities in the picture, Lim decided to leave the painting unfinished. In doing so, he draws an analogy between a shophouse with closed shutters and the larger context of urban re-development around the Chinatown and Singapore River areas in the 1970s and 1980s. This work...
Performance is one of Poon’s earlier attempts at the integration of planes in a three-dimensional space. It is representative of the other type of structure which makes up the linguistic rationale of Poon’s three-dimensional work – apart from the sculptures which resemble the movement of ribbons caught in time and...
This photograph shows a padlocked wooden window, typically found in godowns. Sunlight illuminates the closed shutters and the wall around it. The window is fitted with four hinges to prevent it from flapping when opening. Physical dimensions of original: 35 mm. Title devised by Library staff....